But don't ever make the same mistake of riding the same one that threw you the first time. We lose someone we love only when we are destined to find someone else who can love us even more than we can love ourselves.On falling out of love, take some time to heal and then get back on the horse.
What is important is you know when to hold on and when to let go.The great irony of life is letting go when you need to hold on and holding on when you need to let go. In the game of love, it doesn't really matter who won or who lost. But when you find a new love, you view the past as a teacher. When you think of your past love, you may view it as a failure. BBD returned in 2017 with Three Stripes, which went Top 10 on the R&B charts and Top 20 on pop.In conclusion, Show me different sides and personalities of a person.You know you really love someone when you want him or her to be happy, even if his or her happiness means that you’re not part of it.The LP made the lower reaches of the R&B charts. While balancing New Edition reunions and other projects, Bell Biv DeVoe explored a more hip-hop-oriented sound on their third album, 2001’s BBD.The trio’s 1993 sophomore album, Hootie Mack, yielded a minor pop hit with “Something In Your Eyes” and managed only gold sales.The follow-up, “Do Me!”, also reached No. Poison’s title track topped the R&B singles chart and crossed over to No.(It’s since been certified quadruple platinum.) A 1991 remix album, ( WBBD-Bootcity!: The Remix Album ), went gold. 5 on the Billboard 200, and went platinum within weeks. BBD’s 1990 debut album, Poison, hit No.They did so at the suggestion of producers Jimmy Jam and Terry Lewis, who’d become superstars on the strength of their work with Janet Jackson. Ricky Bell, Michael Bivins, and Ronnie DeVoe formed BBD while New Edition was on hiatus in 1990.Formed by members of the R&B boy band New Edition, Bell Biv DeVoe arrived in the early ’90s with a sound they described as “mentally hip-hop, smoothed out on the R&B tip with a pop feel appeal to it.” This innovative approach yielded such hits as “Poison” and “Do Me!”
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